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Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

  • The twin sisters from Canada depart from their indie singer-songwriter roots with their latest album. The music on Heartthrob is often loaded with a carefully articulated sense of doubt that Tegan and Sara suggest needs to be shaken off through a triumph of the pop-music will.
  • The icon's new album plays like a collection of discreet singles, with each performed in a different style, genre and mood. In this way, the album isn't a return to form, in part because David Bowie never took one form to begin with.
  • Recruiting the likes of Guy Clark and Vince Gill, the country singer and member of The Pistol Annies works within a tradition that extends back well beyond her twentysomething years. Monroe avoids the pitfalls of cliche, with sentiments on her new album that are nothing if not nicely ambivalent.
  • The debut album from the New York trio Guards is big on atmospherics, but also features a grandness of intent that connects the group to acts as varied as U2, Arcade Fire and The Beach Boys.
  • The singer-songwriter often writes songs about his complex relationships with women. On his new Electric, Thompson is still coming to terms with the sources of his frustrations, which ought to give him material for many years to come.
  • A British singer with classic R&B and pop influences, Faith draws comparisons to Amy Winehouse and Adele. If she keeps doing what she's doing, she's going to have lots of fans following her every musical and social cue.
  • A new album of original songs from the Golden Globe-nominated TV series about Music City reflects the tastes of the show's musical producer, T-Bone Burnett, as well as the vocal talents of stars Connie Britton and Hayden Panettiere.
  • On her new album, the pop star tries to show she's not just in the business for the money. As critic Ken Tucker says, "Like pop stars ranging from Madonna on back to Chuck Berry, Ke$ha wants it both ways: mass-audience success and artistic acknowledgment."
  • From the inescapable "Call Me Maybe" to Fiona Apple's intricate word puzzles to the strikingly gorgeous return of Iris DeMent, the Fresh Air critic counts down his favorite albums and musical moments of the year.
  • Thorn has recorded a holiday album, Tinsel and Lights, that critic Ken Tucker says might just work for warmer weather, as well. Tucker praises Thorn's voice as "bolstered by a firm intelligence," and says she avoids the fatty treacle that often weighs down Christmas albums.