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The planet is eight times heavier than Earth and has a "fundamentally different chemistry."

By tracking nearly 15 million cellphones in Kenya, scientists mapped out how malaria spreads through the Texas-sized country. The findings pinpoint areas where efforts to control malaria would be the most effective. One day, the data may help guide alert systems for phones that remind travelers to use bed nets.

It's big, it's blue and no one's sure yet what or where it came from. A squid? A whale? Big Foot? See if you can help solve the mystery.

A few days ago, Domingo Martinez was just a regular guy working as a graphic designer and writing on the side. Then on Wednesday he woke up to find himself nominated for the National Book Award for nonfiction for his book, The Boy Kings of Texas.

Many schools and colleges train students and staff to lock doors, call police and stay put during shooting threats. But a growing number of schools are adopting the advice of security experts who say students should be taught when and how to fight back when confronted by a gunman.

Robert Siegel talks with Don Gonyea about Thursday night's vice presidential debate in Danville, Ky.

Turkey's Prime Minister has given more details about the cargo on board a Syrian passenger plane that was intercepted by Turkish Air Force jets and forced to land in Ankara on Wednesday. Recep Tayyip Erdogan said the plane was carrying "defense equipment" for the Syrian military. Officials in both Syria and Russia have denied that claim.

Chinese writer Mo Yan is the 2012 winner of the Nobel Prize in Literature. The 57-year-old writer has been compared to — and was inspired by — William Faulkner because of the way Mo creates an imaginary place and characters out of his hometown. He is a state-approved writer but some say there are subtle layers of social commentary in his writing.

Simon and the Oaks is a Swedish drama with the Holocaust lurking in the background. Christophe Barratier's family film War of the Buttons plays out in Vichy France. Critic Ella Taylor considers two stories that acknowledge Nazi complicity but don't quite come to terms with it.