
Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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Born Sept. 27, 1924, Powell helped set the style for jazz piano after WWII. While earlier pianists played busy bass patterns, he helped establish a more fragmented, punctuating role for the left hand.
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Bley, who died Oct. 17, led her own large and small touring bands from the 1970s until a few years ago — but jazz musicians had been playing her enigmatic compositions long before that.
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No '60s pop composer wrote more sophisticated songs than Bacharach, who died Feb. 8. Dozens of his best songs endure for all the right reasons; they're inventive, challenging and linger in your ear.
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Schulz, who died in 2000, spoke in 1990 about his iconic Peanuts comic strip. Plus, jazz critic Kevin Whitehead talks about pianist Vince Guaraldi, who created the music for A Charlie Brown Christmas.
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In 1965, Lewis' trio had a crossover hit with The 'In' Crowd, a jazz recording they made in a Washington, D.C. nightclub, which reached the pop charts. Lewis died Sept. 12.
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Earlier this year, Kevin Whitehead noted the passing of Chick Corea and Mario Pavone. Now he remembers a few more players who died in 2021, including Milford Graves, Ralph Peterson and Dave Frishberg.
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A CD set from Mosaic, full of singles and albums made between '46 and '66, confirms the variety of Armstrong's studio sides — and shows how much work went into making them sound casual.
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Coleman, who died in 2015, had a knack for writing catchy melodies in a distinctive voice. Saxophonist Miguel Zenón loves Coleman's music and put together a quartet to play some.
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Though Andra Day plays the jazz legend with conviction, The United States vs. Billie Holiday fictionalizes the particulars of Holiday's life, where the real story is dramatic enough.