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Movie Reviews
4:03 pm
Thu December 6, 2012

A Historical Comedy That Hangs On The Details

In Hyde Park on Hudson — a sly, modestly subversive dramedy about a crucial weekend meeting between England's King George VI and American President Franklin D. Roosevelt on the eve of World War II — the diffident young monarch (Samuel West) confides his frustration over his lifelong stutter while the two men enjoy a postprandial drink expressly forbidden by their womenfolk.

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Movie Reviews
4:03 pm
Thu December 6, 2012

Examining The Legacy Of A Legend In 'Wagner & Me'

British actor, writer and bon vivant Stephen Fry has loved the music of Richard Wagner since he first heard it played on his father's gramophone.

"It released forces within me," he explains early on in Wagner & Me, an exuberant and deeply personal documentary about the allure and the legacy of the German composer's work.

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Movie Reviews
4:03 pm
Thu December 6, 2012

A Sin City Comedy That Comes Up Snake Eyes

Based on Beth Raymer's memoir, Lay the Favorite has a cheeky, double-meaning title that sets up the story and the irreverent tone with impressive efficiency; the reference is both to the gambling practice of betting for the favorite and to the heroine's generous sexual proclivities.

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Movie Reviews
4:03 pm
Thu December 6, 2012

'Fitzgerald Family' Does Dysfunction A Disservice

There's nothing particularly special about Edward Burns' wry family drama The Fitzgerald Family Christmas –-- but that makes it something of a relief amid the avalanche of overlong, big-ticket prestige films that comes tumbling into theaters this time of year.

You've probably seen some version of this story before: A crotchety and unreliable old man, long estranged from most of his family, attempts desperately to reconnect with them on Christmas Day. It's urgent, because he's harboring a Secret with a capital S.

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Movie Reviews
4:03 pm
Thu December 6, 2012

A Relationship Drama That's A Little Too 'Cheerful'

Originally published on Fri December 7, 2012 9:24 am

Something like deja vu takes hold during the opening shots of Donald Rice's debut feature, Cheerful Weather for the Wedding. With the insistent, urgent push of orchestral strings in the background, he offers up establishing shots of a bucolic English country manor, early 20th-century automobiles, and a bell ringing down in the servants' hall. That feeling of anticipation rising in many viewers' chests may be their hearts readying themselves for the tense post-Victorian drama of the popular TV series Downton Abbey, which is what that opening rather too directly recalls.

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